Playlist

Baroque Operas by Women Composers

Share this
Baroque Operas by Women Composers
French composer and harpsichordist Elisabeth Jacquet de la Guerre (1665–1729); painting by François de Troy | image in public domain (Creative Commons)

FIRST PUBLISHED 27 JUN 2026

Inspired by Vache Baroque’s upcoming production of Francesca Caccini’s La liberazione di Ruggiero at Buxton International Festival, this playlist explores little-known operatic masterpieces by women composers from the Baroque era. We open with Caccini's aforementioned title from 1625, the oldest surviving opera by a woman composer. The playlist then moves through Élisabeth Jacquet de la Guerre’s Céphale et Procris, the first French opera by a woman, then the remarkable Ercole amante by Antonia Bembo, a Venetian exile at the court of Louis XIV whose opera sat unperformed for over three centuries before recent staged productions in San Francisco (2025) and Paris (2026) and Les Génies ou Les Caracteres d'Amour (1736), by Mademoiselle Duval, whose first name has been lost to history. The second opera by a woman to be staged at the Paris Opéra, it was enjoyed by audiences at Brighton Early Music Festival in 2025. To close, we include tracks from Milanese composer Maria Teresa Agnesi Pinottini’s La Sofonisba (1748), inspired by the tragic historical tale of the Numidian Queen.

Listen on Spotify.


TRACK LIST

Francesca Caccini
La Liberazione di Ruggiero dall'isola d'Alcina (1625)
1.
Sinfonia - Non perche congiurati
2.
Scene 1. Sinfonia - 'Cosi perfida Alcina' – Scene 2. 'Qui si può dire'
3.
Scene 2. 'Ruggier de danni asprissimi'
4.
Scene 2. 'Lasso, qual vista atroce'

Élisabeth Jacquet de la Guerre
Céphale et Procris (1695)
5.
Prologue: Overture
6.
Prologue: Loure
7. Act I: 'Chœur d'Athéniens. Célébrones d'un héros la valeur triomphante'
8.
Act III: Passacaille

Antonia Bembo
Ercole amante (1707)
9. Ouverture
10.
Act II: 'Amor ardor più rari'
11.
Act IV: 'Ahi che pena è gelosia'

Mademoiselle Duval
Les Génies (1736)
12.
Prologue: Ouverture
13.
Prologue: Air, Chœur. 'Que la terre, le feu, que l'onde, que les airs'
14.
Prologue: 'Air pour les plaisirs'
15.
Act I: Passacaille
16.
Act IV: Chœur. 'Chantons, ne songeons qu'aux plaisirs, profitons de l'âge de grâce'

Maria Teresa Agnesi Pinottini
La Sofonisba (1748)
17. 'Dall'eterno felice soggiorno'
18.
'Dubbia ancor'
19.
'La tua sol fra l'alme belle'
20.
'Pensa che in te riposa'

Share this

Keep reading
The Present State of England (1692)
Feature

The Present State of England (1692)

There are many musicians whose PhD allows them to prefix their name with Dr. Few though have juggled the two professions of medical doctor and high quality musician and impresario as expertly at Dr Stephen Coles.

LIFEM 2026: Interview with Eun Sol Lee
Spotlight

LIFEM 2026: Interview with Eun Sol Lee

The Early Music Shop caught up with Sol to find out more about her year since she won the competition, and what we have to look forward to in her performance at LIFEM this year...

JS Bach, and a cabinet of curiosities: Jorge Jiménez
Podcast

JS Bach, and a cabinet of curiosities: Jorge Jiménez

Violinist, director and composer Jorge Jiménez talks to Simon Mundy about his latest album Curiosa: Lost & Found Tunes, his new Bach weekend in Ipswich, and his freelance career balancing life in rural Essex with regular work in Spain.

Don't miss a beat – subscribe today!

Subscribe to our fortnightly newsletter to get the latest concert recommendations, festival updates, artist profiles, and curated playlists delivered straight to your inbox.

Read our latest newsletter.

Help early music flourish!

Donate now to support Continuo Connect. Every contribution helps cover the costs of running this non-profit website, ensuring free access for musicians, festivals and the public.