RCM researcher wins £100,000 grant to 3D-print playable historical woodwind instruments

RCM researcher wins £100,000 grant to 3D-print playable historical woodwind instruments
By Continuo Connect | Published 29 June 2026

Dr Ingrid Pearson, Senior Academic Tutor at the Royal College of Music, has been awarded a £100,000 award from the Arts and Humanities Research Council (AHRC) through UK Research and Innovation to investigate how additive manufacturing – including 3D printing – can be used to create playable replicas of historical woodwind instruments.

The project sits within a wider research culture at the RCM that spans performance science, musicology, and music's material culture. It is home to two research centres: the Centre for Performance Science, a global leader in the interdisciplinary study of performance and its impact on society, and the Wolfson Centre in Music and Material Culture, based in the RCM Museum.

Pearson's work will centre on the two-keyed chalumeau, the earliest single-reed instrument in the Western art music tradition, which emerged in the 1680s. Pearson's research aims to develop a robust methodology for producing replicas suitable for performance, recording, and public engagement, with the goal of 'recalibrating relationships between musicians and collections of historical instruments'.

A 3D printed version of the Müstair Knochenflöte produced by 3D Music Instruments | photo by 3D Music Instruments
A 3D printed version of the Müstair Knochenflöte produced by 3D Music Instruments | photo by 3D Music Instruments

The project brings together the RCM with the Open University, specialist firm 3D Music Instruments, and Cambridge Woodwind Makers, facilitating collaboration between musicians, researchers and craftspeople. Among the beneficiaries will be artists, scholars, curators, and private collectors of historical instruments.

The research also speaks to questions about the relationship between performers and instrument collections – offering new ways for players to engage with fragile or inaccessible originals without the constraints that come with handling the real thing.

Dr Ingrid Pearson is an Australian-born clarinettist and leading scholar-performer of historical single-reed instruments – chalumeau, clarinet, and basset horn. She has been a member of the Royal College of Music professoriate since 2005, and has performed with The English Concert, The Hanover Band, and the Orchestra of the Age of Enlightenment, among others.


Keep reading
Playlist: Continuo Patrons
Playlist

Playlist: Continuo Patrons

A playlist of tracks by Continuo Foundation Patrons Mary Bevan, Emma Kirkby, Rachel Podger and Ashley Solomon in celebration of the UN International Day of Charity.

The soundtrack of imagination: David Yardley and Green Dragon Guild of London
Podcast

The soundtrack of imagination: David Yardley and Green Dragon Guild of London

Medieval countertenor David Yardley, Artistic Director of Green Dragon Guild of London, discusses Medieval music, Southwark’s layered history, and how imagination and meticulous research meet in performance in our latest podcast.

Handel’s Messiah – the Salisbury connection
Feature

Handel’s Messiah – the Salisbury connection

There is an oddly persistent local story that a performance of Messiah was given in the chapel room over St Anne’s Gate when Handel stayed in Salisbury in 1739 with his friend James Harris of Malmesbury House in the close.

Don't miss a beat – subscribe today!

Subscribe to our fortnightly newsletter to get the latest concert recommendations, festival updates, artist profiles, and curated playlists delivered straight to your inbox.

Read our latest newsletter.

Help early music flourish!

Donate now to support Continuo Connect. Every contribution helps cover the costs of running this non-profit website, ensuring free access for musicians, festivals and the public.