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Music at a Florentine Convent

The Biffoli-Sostegni Manuscript and Suor Maria Celeste Galilei | Professor Laurie Stras

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Music at a Florentine Convent - The Biffoli-Sostegni Manuscript and Suor Maria Celeste Galilei | Professor Laurie Stras
Music at a Florentine Convent | Laurie Stras

FIRST PUBLISHED 24 JAN 2026

The Biffoli-Sostegni manuscript, MS 27766 of the library of the Royal Conservatoire of Brussels, is the only volume of 16th-century polyphony with a secure provenance in a female convent. Its extraordinary survival is made all the more important by its origin at the Florentine convent of San Matteo in Arcetri, the convent in which Suor Maria Celeste Galilei, daughter of Galileo Galilei, spent the last two-thirds of her life.

Page from The Biffoli-Sostegni manuscript (image courtesy of the Royal Conservatoire of Brussels)
Page from The Biffoli-Sostegni manuscript (image courtesy of the Royal Conservatoire of Brussels)

This Element publication uses archival sources related to San Matteo to create a historical context for the manuscript's music and the lives of the nuns for whom it was written. Analysis of the music is accompanied by both notated and audiovisual musical examples, performed by the UK all-female early music ensemble, Musica Secreta.

Read an extract here.

Laurie Stras is Professor Emerita of Music at the University of Southampton, and Director of Musica Secreta and Celestial Singers. Alongside popular music, and music and disability studies, Stras is renowned for her pioneering work on Early Music. Her research on female musicians in 16th-century Italy has earned international recognition and major awards, and resulted in influential publications. Her Cambridge Element 'Music at a Florentine Convent' will be available digitally and in hard copy from Cambridge University Press. Musica Secreta’s latest album, 'Ricordanze: a record of love’ is available to purchase on Musica Secreta’s website as well as on Bandcamp.

Professor Laurie Stras | photo by Andrew Mason
Professor Laurie Stras | photo by Andrew Mason

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