Playlist
Recorder Playlist
Share this
FIRST PUBLISHED 16 FEB 2024
In honour of Sarah Jeffery and all she has done to champion the recorder, we have curated a playlist that shines a spotlight on this versatile instrument. These carefully-selected tracks range from 'early' to 'contemporary', all by artists you can find on Continuo Connect. Our What's On page is filled with concerts where you can hear these artists perform live. And if you're an amateur recorder player, you might even want to try playing some of these pieces yourself!
Listen now on Spotify.
Full track list:
Sarah Jeffery
Le Ray au Soleyl from Constellations
Tabea Debus
GP Telemann: Trio Sonata in F Major, Vivace
Ciaconna - after Bertali, Merula & Monteverdi
Palisander
Tarantella
Fontanella
La Lusignuola
Erik Bosgraaf
GP Telemann: Trio Sonata in C Major, Dolce
Orchestra of the Age of Enlightenment
JS Bach: Brandenburg Concerto No 4 in G Major, Allegro
Olwen Foulkes and Ensemble Augelletti
John Baston Concerto No 2 in D Major, Presto
John Baston Concerto No 2 in D Major, Adagio
Red Priest
JS Bach: Toccata and Fugue in D Minor
Sarah Jeffery
Ricercare alla Bastrada
Fontanella
Camille Saint-Saëns: Volière (Carnival of the Animals)
Passacaglia
CPE Bach: Sonata in E Minor, Allegro
Sonata in B flat Major, Adagio
Palisander
Antonio Vivaldi: Concerto in G Minor, La Notte
Erik Bosgraaf
Jacob van Eyk: Phantasia
Share this
Keep reading
Ensemble Diderot: ‘Bach Beyond Borders’ at Wigmore Hall
Ensemble Diderot are tireless in their search through library catalogues and uncover forgotten treasures which, in this programme, stand alongside some of the most iconic masterpieces of the baroque.
Lead, Kindly Light | The Sixteen
Harry Christophers & The Sixteen present ‘Lead, Kindly Light’, featuring music by Spanish Renaissance masters Morales and Vivanco, alongside new commissions by Kerensa Briggs and Sir James MacMillan.
Bach’s ‘St John Passion’: balancing human drama and spiritual devotion
Ashutosh Khandekar sheds light on how Bach’s ‘St John Passion’ combines dramatic urgency, theological depth and evolving performance traditions to remain one of the composer’s most immediate and compelling sacred works.