Recording
John Frederick Lampe: The Dragon of Wantley
Winner of BBC Music Magazine Opera Award 2023
Share this

FIRST PUBLISHED 05 DEC 2023
A rapacious dragon has been terrorising a Yorkshire village. Gubbins and his daughter Margery, together with Mauxalinda, decide to seek the help of Moore of Moore Hall. Moore needs persuading away from his beer but succumbs to Margery’s pleading, and her promises of love. Unfortunately, he had already promised to marry Mauxalinda, and so the love triangle has to be resolved in dramatic fashion before Moore heads out and defeats the dragon, restoring harmony and prosperity to the village.
Conductor John Andrews’s recording of John Frederick Lampe’s ballad opera The Dragon of Wantley - with the Brook Street Band and a cast of outstanding soloists - for Resonus Classics won the BBC Music Magazine Opera Award 2023. Lampe combines a first-rate score with a quintessentially English plot, told in a tone of earthy satire by librettist Henry Carey who pokes fun at opera’s conventions with skill and affection, but also a razor wit.
The Guardian:
“It’s full of lively dances and arias and a few noisy, lip-smacking kisses…it fills a gap for students of the 18th-century English stage, but the commitment of these performers creates its own, wider pleasure.”
Find out more about The Dragon of Wantley and buy a copy on the Brook Street Band's website shop.
This project was supported by a grant from Continuo Foundation
Supported by Continuo Foundation
Share this
Keep reading

Playlist: Continuo Patrons
A playlist of tracks by Continuo Foundation Patrons Mary Bevan, Emma Kirkby, Rachel Podger and Ashley Solomon in celebration of the UN International Day of Charity.

Sam Brown on Dowland and filtering history through a modern lens
Lutenist Sam Brown of Dowland's Foundry chats with Simon Mundy about how we interpret John Dowland, the formation of the ensemble around Emma Kirkby's kitchen table, and an exciting recording project in the pipeline.

Hugh Cutting: a countertenor in counterpoint
Countertenor Hugh Cutting talks to Continuo Connect about the physical joy of singing, Bach’s gifts to the countertenor and his determination to make music from the past speak to the present.

