Find A Concert
Icon
Icon
Icon
Continuo-funded events only

Solomon's Knot

Bach300: NOW 1726

Bach300: NOW 1726
Programme:
JS Bach
Höchsterwünschtes Freudenfest, BWV194
Gott fähret auf mit Jauchzen, BWV43
Es erhub sich ein Streit, BWV19


O Most-Anticipated Celebration!

In 1726, the 41-year-old Johann Sebastian Bach was enjoying the most favourable conditions for the composition and performance of first-class vocal works. He was in the midst of his 3rd cycle of church cantatas in Leipzig, the final complete cycle that survives, described by the Bach scholar Michael Maul as ‘extremely diverse and occasionally experimental’.

Bach could call on some of the world’s best virtuoso instrumentalists: violinists, oboists, and especially trumpeters. This exhilarating programme features arias with solo trumpet in cantatas BWV 43 and 19 that, in their very different ways, must have pushed the boundaries of what was physically possible at the time.

The Thomanerchor was also at the height of its powers, as the blistering opening of ‘Es erhub sich ein Streit’ BWV 19 demonstrates. Join Solomon’s Knot as they continue to follow the vocal works of JS Bach and his contemporaries at 300 years’ distance.

Performers:
Zoë Brookshaw, Clare Lloyd-Griffiths
soprano
Kate Symonds-Joy, Nathan Mercieca
alto
Thomas Herford, Gwilym Bowen
tenor
Jonathan Sells (Artistic Director), Alex Ashworth
bass

Rachel Chaplin, Sarah Humphrys, Robert de Bree
oboe
Inga Maria Klaucke
bassoon
Fruzsina Hara, Valentin Lupp, Thomas Hewitt
trumpet
Rosemary Toll
timpani
George Clifford (leader), Maxim del Mar, Gabi Jones, Rebecca Harris
violin
Joanne Miller, Nichola Blakey
viola
Kate Conway
cello
Jan Zahourek
double bass
William Whitehead
harpsichord, organ


  • festival Sherborne Abbey Festival
  • date Sat, 2 May 2026
  • location Sherborne Abbey
  • time 7:00pm
  • ticket £5 - £40
  • 1 other performance

Full Event Details

Programme:
JS Bach
Höchsterwünschtes Freudenfest, BWV194
Gott fähret auf mit Jauchzen, BWV43
Es erhub sich ein Streit, BWV19

O Most-Anticipated Celebration!

In 1726, the 41-year-old Johann Sebastian Bach was enjoying the most favourable conditions for the composition and performance of first-class vocal works. He was in the midst of his 3rd cycle of church cantatas in Leipzig, the final complete cycle that survives, described by the Bach scholar Michael Maul as ‘extremely diverse and occasionally experimental’.

Bach could call on some of the world’s best virtuoso instrumentalists: violinists, oboists, and especially trumpeters. This exhilarating programme features arias with solo trumpet in cantatas BWV 43 and 19 that, in their very different ways, must have pushed the boundaries of what was physically possible at the time.

The Thomanerchor was also at the height of its powers, as the blistering opening of ‘Es erhub sich ein Streit’ BWV 19 demonstrates. Join Solomon’s Knot as they continue to follow the vocal works of JS Bach and his contemporaries at 300 years’ distance.

Performers:
Zoë Brookshaw, Clare Lloyd-Griffiths
soprano
Kate Symonds-Joy, Nathan Mercieca
alto
Thomas Herford, Gwilym Bowen
tenor
Jonathan Sells (Artistic Director), Alex Ashworth
bass

Rachel Chaplin, Sarah Humphrys, Robert de Bree
oboe
Inga Maria Klaucke
bassoon
Fruzsina Hara, Valentin Lupp, Thomas Hewitt
trumpet
Rosemary Toll
timpani
George Clifford (leader), Maxim del Mar, Gabi Jones, Rebecca Harris
violin
Joanne Miller, Nichola Blakey
viola
Kate Conway
cello
Jan Zahourek
double bass
William Whitehead
harpsichord, organ

Venue Details & Map

Location

Sherborne Abbey
Sherborne, Dorset DT9 3LQ

Other performances

In addition to the performance listed above, this concert will also be performed as follows:


Related upcoming events

Don't miss a beat – subscribe today!

Subscribe to our fortnightly newsletter to get the latest concert recommendations, festival updates, artist profiles, and curated playlists delivered straight to your inbox.

Read our latest newsletter.

Help early music flourish!

Donate now to support Continuo Connect. Every contribution helps cover the costs of running this non-profit website, ensuring free access for musicians, festivals and the public.