Artists

Sardinia-born and London-based lutenist and composer Emanuele Addis has a repertoire spanning from the Renaissance to contemporary classical and folk music. In 2023, he graduated from the Royal Academy of Music, where he studied historical performance with Elizabeth Kenny. At the Royal Academy, he took part in projects with the Academy of Ancient Music, Orchestra of the Age of Enlightenment, toured France, and performed in Purcell’s The Fairy Queen, conducted by Laurence Cummings. In 2022 he founded Londinium Consort, a period ensemble that explores both contemporary and Renaissance repertoire, and works closely in collaboration with composers to create new work for period instruments.

What is your earliest musical memory?

I think it was hearing Sardinian folk music in the main square of my hometown, Sassari, very lively and full of character. But I also vividly remember listening to a vinyl of the Academy of Ancient Music at my grandparents’ house. That stuck with me, too.

How has classical music influenced your life outside of performing?

It’s opened up so many friendships. Music has this amazing way of helping people connect, even across countries and cultures. Being able to talk about music with someone and truly connect is a gift.