Pygmalion
Mozart's Great Mass in C minor

In 1782, Mozart took his new wife Constanze home to meet his father. What better way to seek his approval than to write a setting of the Mass, with its angelic soprano solos performed by Constanze herself? Tonight soprano Sabine Devieilhe follows in her footsteps, one of a quartet of first-rate soloists.
Pygmalion and their conductor Raphaël Pichon are renowned for their intelligent and creative programming. Tonight they preface Mozart’s masterpiece with music by a select handful of composers who, like Mozart, studied and embraced Baroque traditions and techniques. From Schubert’s intricate counterpoint for four-part women’s choir to the calm, prayerful harmonies of Bruckner, hear how each new generation takes the sounds of the past and weaves them into new music that’s somehow both fresh and familiar.
Programme:
Anton Bruckner Christus -factus est WAB 11
Felix Mendelssohn-Bartholdy Miserere (parody of Kyrie MWV A3), Hora est MWV B18 (orch: Robert Percival)
Franz Schubert Lacrimosa son io D.131b
Anton Bruckner Ave Maria WAB 6
Felix Mendelssohn-Bartholdy Da nobis pacem (parody of Verleih uns Frieden gnädiglich WoO 5)
Wolfgang Amadeus Mozart Great Mass in C minor K 427
- I. Kyrie
- II. Gloria
- III. Credo
Wolfgang Amadeus Mozart Great Mass in C minor K 427
- IV. Sanctus
- V. Benedictus
Pygmalion choir and orchestra
Sabine Devieilhe soprano
Lea Desandre mezzo-soprano
Xenia Puskarz Thomas mezzo-soprano
Kieran Carrell tenor
Huw Montague-Rendall bass
Raphaël Pichon conductor
Barbican Centre & Milton Court
Mon, 9 November 2026
The Barbican Hall
8:00pm
from £20
Full Event Details
Pygmalion celebrates 20 years of impactful music-making in the highest echelons of period performance with Mozart’s glorious Great Mass in C minor and more.
In 1782, Mozart took his new wife Constanze home to meet his father. What better way to seek his approval than to write a setting of the Mass, with its angelic soprano solos performed by Constanze herself? Tonight soprano Sabine Devieilhe follows in her footsteps, one of a quartet of first-rate soloists.
Pygmalion and their conductor Raphaël Pichon are renowned for their intelligent and creative programming. Tonight they preface Mozart’s masterpiece with music by a select handful of composers who, like Mozart, studied and embraced Baroque traditions and techniques. From Schubert’s intricate counterpoint for four-part women’s choir to the calm, prayerful harmonies of Bruckner, hear how each new generation takes the sounds of the past and weaves them into new music that’s somehow both fresh and familiar.
Programme:
Anton Bruckner Christus -factus est WAB 11
Felix Mendelssohn-Bartholdy Miserere (parody of Kyrie MWV A3), Hora est MWV B18 (orch: Robert Percival)
Franz Schubert Lacrimosa son io D.131b
Anton Bruckner Ave Maria WAB 6
Felix Mendelssohn-Bartholdy Da nobis pacem (parody of Verleih uns Frieden gnädiglich WoO 5)
Wolfgang Amadeus Mozart Great Mass in C minor K 427
I. Kyrie
II. Gloria
III. Credo
Michael Haydn Ave Regina Caelorum MH 140
Wolfgang Amadeus Mozart Great Mass in C minor K 427
IV. Sanctus
V. Benedictus
Performers:
Pygmalion choir and orchestra
Sabine Devieilhe soprano
Lea Desandre mezzo-soprano
Xenia Puskarz Thomas mezzo-soprano
Kieran Carrell tenor
Huw Montague-Rendall bass
Raphaël Pichon conductor
Venue Details & Map
Location
The Barbican Hall
Barbican Centre Silk Street, London EC2Y 8DS
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