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The Gesualdo Six

Death of Gesualdo

Death of Gesualdo
Following a string of 5-star reviews and sell-out performances, The Gesualdo Six return to St Martin’s with Death of Gesualdo. Reunited with director Bill Barclay, the ensemble brings this visceral theatrical experience to our stage once again following widespread international acclaim.

Six singers, six actors and a puppet enact a series of narrative tableaux which open on the composer’s deathbed and superimpose iconic moments from his life onto some of his most chilling music. The result, a Stations of the Cross for the composer’s tortured conscience, is the boldest look yet at how the life and music of this enigmatic prodigy must function together for the true Gesualdo to emerge from the shadows.

The madrigalist Carlo Gesualdo (1566-1613) may be most famous for murdering his wife and her lover in bed, but among composers he is revered for anticipating chromaticism by 200 years. Gesualdo’s tortured mind led him into a life of violence and suffering, concluding in appalling tales of sorcery and flagellation. However shockingly macabre his biography, the Prince of Venosa’s malignant narcissism can be traced to key incidents from his upbringing in the zero-sum game of Catholic politics.

Commissioned by St Martin-in-the-Fields, The National Centre for Early Music in York, and Music Before 1800 in NYC.

Performers and Creative Team:
The Gesualdo Six with six actors
Owain Park
director
Bill Barclay creator and director
Will Tuckett
choreographer
Janni Younge
puppet design
Arthur Oliver
costumes
Produced by Concert Theatre Works


Full Event Details

Following a string of 5-star reviews and sell-out performances, The Gesualdo Six return to St Martin’s with Death of Gesualdo. Reunited with director Bill Barclay, the ensemble brings this visceral theatrical experience to our stage once again following widespread international acclaim.

Six singers, six actors and a puppet enact a series of narrative tableaux which open on the composer’s deathbed and superimpose iconic moments from his life onto some of his most chilling music. The result, a Stations of the Cross for the composer’s tortured conscience, is the boldest look yet at how the life and music of this enigmatic prodigy must function together for the true Gesualdo to emerge from the shadows.

The madrigalist Carlo Gesualdo (1566-1613) may be most famous for murdering his wife and her lover in bed, but among composers he is revered for anticipating chromaticism by 200 years. Gesualdo’s tortured mind led him into a life of violence and suffering, concluding in appalling tales of sorcery and flagellation. However shockingly macabre his biography, the Prince of Venosa’s malignant narcissism can be traced to key incidents from his upbringing in the zero-sum game of Catholic politics.

Commissioned by St Martin-in-the-Fields, The National Centre for Early Music in York, and Music Before 1800 in NYC.

Performers and Creative Team:
The Gesualdo Six with six actors
Owain Park
director
Bill Barclay creator and director
Will Tuckett
choreographer
Janni Younge
puppet design
Arthur Oliver
costumes
Produced by Concert Theatre Works

Venue Details & Map

Location

St Martin-in-the-Fields, London
St Martin-in-the-Fields, Trafalgar Sq, London WC2N 4JJ

Other performances

In addition to the performance listed above, this concert will also be performed as follows:

Show past performances of this programme


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