New Trinity Baroque

The ensemble is particularly known for its work in baroque opera, presenting both staged and concert performances with a strong dramatic focus. Its repertoire encompasses Handel, Bach, Vivaldi, Monteverdi, Purcell and other central figures of the period, alongside lesser-known works that illuminate the richness and diversity of early eighteenth-century musical culture. Programmes range from intimate continuo-led chamber projects to full baroque orchestra with chorus and soloists.
New Trinity Baroque collaborates regularly with distinguished international soloists as well as outstanding emerging artists through initiatives such as the Belgrade Baroque Academy. Its performances are marked by stylistic clarity, rhetorical awareness, and a commitment to historically informed performance practice, while maintaining immediacy and emotional depth for contemporary audiences.
The ensemble appears in the UK and internationally, presenting opera productions, sacred works, orchestral concerts and cross-disciplinary projects. Recent and upcoming productions include Handel’s Siroe, re di Persia and Giulio Cesare in Egitto, alongside concert programmes exploring vocal-instrumental dialogue and dramatic cantata repertoire.
New Trinity Baroque performs on period instruments at historically appropriate pitch, working closely with singers and instrumentalists to shape interpretations rooted in eighteenth-century aesthetics while remaining dynamically alive in performance.
Biography
New Trinity Baroque is a UK-based period-instrument ensemble specialising in historically informed performance of seventeenth- and eighteenth-century repertoire. Founded and directed by harpsichordist and conductor Predrag Gosta, the ensemble brings together leading early-music specialists from across the UK and Europe, combining scholarly awareness with vivid theatrical expression.
The ensemble is particularly known for its work in baroque opera, presenting both staged and concert performances with a strong dramatic focus. Its repertoire encompasses Handel, Bach, Vivaldi, Monteverdi, Purcell and other central figures of the period, alongside lesser-known works that illuminate the richness and diversity of early eighteenth-century musical culture. Programmes range from intimate continuo-led chamber projects to full baroque orchestra with chorus and soloists.
New Trinity Baroque collaborates regularly with distinguished international soloists as well as outstanding emerging artists through initiatives such as the Belgrade Baroque Academy. Its performances are marked by stylistic clarity, rhetorical awareness, and a commitment to historically informed performance practice, while maintaining immediacy and emotional depth for contemporary audiences.
The ensemble appears in the UK and internationally, presenting opera productions, sacred works, orchestral concerts and cross-disciplinary projects. Recent and upcoming productions include Handel’s Siroe, re di Persia and Giulio Cesare in Egitto, alongside concert programmes exploring vocal-instrumental dialogue and dramatic cantata repertoire.
New Trinity Baroque performs on period instruments at historically appropriate pitch, working closely with singers and instrumentalists to shape interpretations rooted in eighteenth-century aesthetics while remaining dynamically alive in performance.












